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Book Of Dead Table Of Contents VideoROSHTEIN Top 5 Record Wins on Book of Dead slot Play Book of Dead | Slots | Slot Machine | Free Slots | Free. Book of the Dead, ancient Egyptian collection of mortuary texts made up of spells or magic formulas, placed in tombs and believed to protect and aid the deceased in the hereafter. Probably compiled and reedited during the 16th century bce, the collection included Coffin Texts dating from c. Book of Dead is a five-reel, three row and payline slot game and is actually quite simple in terms of its structure. There are low-pay 10 to Ace playing cards symbols, plus a few high-pay ones like Anubis and Osiris. Rich Wilde, however, is the most rewarding symbol of them all, and awards up to 5, coins for 5 of such on a line. The History. The Book of the Dead originated from concepts depicted in tomb paintings and inscriptions from as early as the Third Dynasty of Egypt (c. - BCE). By the 12th Dynasty ( - BCE) these spells, with accompanying illustrations, were written on papyrus and placed in tombs and graves with the dead. The Book of the Dead is an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom (around BCE) to around 50 BCE. The original Egyptian name for the text, transliterated rw nw prt m hrw, is translated as Book of Coming Forth by Day or Book of Emerging Forth into the Light.
The Book of the Dead is the modern name given to the collection of texts the ancient Egyptians wrote to help the dead and guide them through the Tuat underworld.
This collection consists of formulas, hymns, incantations, magical words and prayers. Copies of the Book of the Dead first came to the attention of Western scholars at the beginning of the 19th Century.
Instead the names referred to the fact the books belonged to dead men. Karl Richard Lepius was the first man to translate a complete manuscript of the Book of the Dead in modern times in He established the numbering system used to distinguish the chapters or spells today.
Karl Lepius encouraged other scholars to collect the known variations of all the spells in one book. Edouard Naville undertook this task and completed a three-volume collection of spells.
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They were commissioned by people in preparation for their own funerals, or by the relatives of someone recently deceased. They were expensive items; one source gives the price of a Book of the Dead scroll as one deben of silver,  perhaps half the annual pay of a labourer.
In one case, a Book of the Dead was written on second-hand papyrus. Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials.
Most owners were men, and generally the vignettes included the owner's wife as well. However, during the Third Intermediate Period, 2 were for women for every 1 for a man; and women owned roughly a third of the hieratic papyri from the Late and Ptolemaic Periods.
The scribes working on Book of the Dead papyri took more care over their work than those working on more mundane texts; care was taken to frame the text within margins, and to avoid writing on the joints between sheets.
The words peret em heru , or coming forth by day sometimes appear on the reverse of the outer margin, perhaps acting as a label.
Books were often prefabricated in funerary workshops, with spaces being left for the name of the deceased to be written in later. The text of a New Kingdom Book of the Dead was typically written in cursive hieroglyphs , most often from left to right, but also sometimes from right to left.
The hieroglyphs were in columns, which were separated by black lines — a similar arrangement to that used when hieroglyphs were carved on tomb walls or monuments.
Illustrations were put in frames above, below, or between the columns of text. The largest illustrations took up a full page of papyrus. From the 21st Dynasty onward, more copies of the Book of the Dead are found in hieratic script.
The calligraphy is similar to that of other hieratic manuscripts of the New Kingdom; the text is written in horizontal lines across wide columns often the column size corresponds to the size of the papyrus sheets of which a scroll is made up.
Occasionally a hieratic Book of the Dead contains captions in hieroglyphic. The text of a Book of the Dead was written in both black and red ink, regardless of whether it was in hieroglyphic or hieratic script.
Most of the text was in black, with red ink used for the titles of spells, opening and closing sections of spells, the instructions to perform spells correctly in rituals, and also for the names of dangerous creatures such as the demon Apep.
The style and nature of the vignettes used to illustrate a Book of the Dead varies widely. Some contain lavish colour illustrations, even making use of gold leaf.
Others contain only line drawings, or one simple illustration at the opening. Book of the Dead papyri were often the work of several different scribes and artists whose work was literally pasted together.
The existence of the Book of the Dead was known as early as the Middle Ages , well before its contents could be understood.
Since it was found in tombs, it was evidently a document of a religious nature, and this led to the widespread but mistaken belief that the Book of the Dead was the equivalent of a Bible or Qur'an.
In Karl Richard Lepsius published a translation of a manuscript dated to the Ptolemaic era and coined the name " Book of The Dead" das Todtenbuch.
He also introduced the spell numbering system which is still in use, identifying different spells.
The work of E. Wallis Budge , Birch's successor at the British Museum, is still in wide circulation — including both his hieroglyphic editions and his English translations of the Papyrus of Ani , though the latter are now considered inaccurate and out-of-date.
Allen and Raymond O. Faulkner Orientverlag has released another series of related monographs, Totenbuchtexte , focused on analysis, synoptic comparison, and textual criticism.
Research work on the Book of the Dead has always posed technical difficulties thanks to the need to copy very long hieroglyphic texts. Initially, these were copied out by hand, with the assistance either of tracing paper or a camera lucida.
In the midth century, hieroglyphic fonts became available and made lithographic reproduction of manuscripts more feasible.
In the present day, hieroglyphics can be rendered in desktop publishing software and this, combined with digital print technology, means that the costs of publishing a Book of the Dead may be considerably reduced.
However, a very large amount of the source material in museums around the world remains unpublished.